Academia

Research, writing, and science communication

The Brain Index.

From 2013 through 2017, I assisted in the design and execution of “The Brain Index,” an interactive installation in the Jerome L. Greene Science Center at Columbia University. Part of an interdisciplinary team, I developed communications strategies and crafted “science stories” that convey complex concepts via a playful multimedia experience.

My research

Previously, I conducted research at the intersection of science, technology, and society. This work explored the social implications of emerging neurotech and biowearables, as well as public understanding of these tools.

Brain Waves:
A Cultural History.

2018 Doctoral dissertation,
Columbia University

ABSTRACT:

This project proceeds from a narrow question: What, if anything, is a brain wave?

Beguiling in its simplicity, this question prompts a cultural-historical investigation that spans over 150 years of science, technology, and society. Proposed in 1869, the original theory of brain waves cites etheric undulations to explain reports of apparent thought transference. Though most modern thinkers no longer believe in outright telepathy, I argue that dreams of thought transmission and other mental miracles subtly persist—not in obscure and occult circles, but at the forefront of technoscience. A hybrid of science and fiction, brain waves represent an ideal subject through which to explore the ways in which technical language shrouds spiritual dreams. Today, the phrase “brain waves” often function as shorthand for electrical changes in the brain, particularly in the context of technologies that purport to “read” some aspect of mental function, or to transmit neural data to a digital device. While such technologies appear uniquely modern, the history of brain waves reveals that they are merely the millennial incarnation of a much older hope—a hope for transmission and transcendence via the brain’s emanations.

The Case for Animal Electricity:

Brains, Machines, and Electrical Ontologies

Presented at:

Annual Meeting of the Society for Social Studies of Science. Boston, MA. 2017.

ABSTRACT:

In the late nineteenth century Luigi Galvani and Alessandro Volta famously debated the existence of an electricity specific to organic systems, then termed animal electricity. Despite flawed methods, the heart of Galvani’s argument proved accurate: animal nervous systems are driven by a unique breed of electricity. Nonetheless, “animal electricity” is now an antiquated term. Sparsely, scientists deploy the word “bioelectric” in reference to embodied currents; more often, however, electricity appears, confusingly, as a single material phenomenon that inhabits organic and inorganic systems alike. Here, I acknowledge consistencies between what happens in nerve fibers and in power lines; however, I argue that the assumption of a singular electricity--rather than electricities--obscures important distinctions between biology and technology.

What might otherwise seem a semantic quibble obtains new relevance as the twenty-first century reconfigures the human-machine relation. I consult discourse on brain-computer interfaces (BCIs) to demonstrate the hazy line between analogy and equivalence in the context of neuronal and synthetic circuits. Close reading of modern BCI literature is complemented by a social-historical analysis that traces the trajectory of human-machine electrical conflation from telegraphy through iPhones. I consider the implications of substance- versus process-based electrical ontologies and frame BCIs as a mechanism and microcosm for (mis)interpretations of the cyborgian subject as a continuous electric circuit. I argue that discussion of a singular electricity (1) elides material differences between humans and their machines; and (2) neglects the materiality of electricity itself, consequently minimizing awareness of human and environmental fragility.